• The revelation of the body in the landscape jurassien* 3 Part III:
  • Belvédère Calonne de Sappel (Beaume-Les-Messieurs), Jura.
  • From March 18 to June 30 juin 2016
    Artists:Daniel Dewar et Grégory Gicquel, Karin Sander
  • Curators: Laurent Fiévet & Silvia Guerra

It is in the closed and private garden of Belvédère Calonne de Sappel, located in one of the most beautiful villages of the Jura—Baume-les-Messieurs—that the third part of the exhibition takes place. An ensemble of sculptures by Daniel Dewar and Grégory Gicquel explore nudity in a very literal fashion. However, similar to Hans-Peter Feldmann’s work at La Maison de La vache qui rit, they do so in a form devoid of any sexual provocation or voyeurism, shielded by their reference to sculpture, both ancient and in its more contemporary forms, and whose codes they enjoy subverting with their customary irreverence.

La Collection mise à nue par ses artistes, même III
Beaume-les-Messieurs
Dewar & Gicquel
© Martin Argyroglo

La Collection mise à nue par ses artistes, même III
Dewar & Gicquel
Beaume-les-Messieurs
© Martin Argyroglo

La Collection mise à nue par ses artistes, même III
Dewar & Gicquel
Beaume-les-Messieurs
© Martin Argyroglo

Epilogue – Identities on Display

At the entrance to each of the three exhibition sites, a locker from Karin Sander’s installation Identities on Display offers yet another form of dematerialization and bareness: transparent lockers where clothing and personal accessories appear from individuals whose identities can only be guessed through these sociological markers. Visitors are invited to use these windows as a cloakroom during their visit and thus participate in the unveiling that underlies the entire exhibition.

Epilogue – Identities on Display
Karin Sander
© Martin Argyroglo

Epilogue – Identities on Display
Karin Sander
Exposition Collective
Musée de Dole

Epilogue – Identities on Display
Karin Sander
Beaume-Les-Messieurs
© Martin Argyroglo

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